Spinning trends in Bashar bin Burd's poetry, a study in the Art and its subject
DOI:
https://doi.org/10.32792/tqartj.v1i38.320Keywords:
Blindness, chromaticity, visual imageAbstract
Bashar bin Burd, Abu Muadh, Al-Murath, Al-Akma the blind, a poet who was destined to live in a historical stage, characterized by dynamism, shifting loyalties and conflicts at all levels; political, social, cultural and others. And to divide his life into two distinct halves in several systems, linguistic and literary in particular.
Bashar was not an ordinary individual, so the transformations and changes of the historical stage passed through other members of society, who witnessed it or lived through it. Rather, he brought his name, person, poetry and impact to the top of the pyramid of political, religious, and literary authority, which he did not agree with one of them, but entered into A struggle - or entry - with its most important symbols and poles.
It aimed to identify the spinning trends of Bashar bin Burd's poems, in light of the connotations, textual and artistic, and to clarify the literary and poetic aesthetics in them. Relying on the descriptive-analytical approach, while adhering to the textual semantics, analyzing them in the light of technical experience, and studying the discourse in itself and not in what it refers to from external worlds.
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