البنية الإيقاعية في شعر محمد سعيد الحبوبي

المؤلفون

  • أ.د هيثم عباس سالم الصويلي جامعة ذي قار ـ كلية الآداب
  • شيرين كاظم غياض

DOI:

https://doi.org/10.32792/tqartj.v1i36.252

الملخص

  تُعد موسيقى الشعر من العناصر الجوهرية والمقومات الأساسية في الشعر في كل زمان ومكان ، إذ لا قيمة للشعر بدونها ، وتلك الموسيقى لا يدرك أثرها ووقعها في النفوس إلا إذا تفاعلت مع بقية عناصر التجربة الشعرية في نفس شاعر مفلق ، فقد عُدت وعاءً للشعر ؛ لأنها عنصر أساسي لا يمكن تجاوز بأية حال من الأحوال ، فمن خلاله تبرز ملامح القصيدة وأثرها في المتلقي وما تفعله في القلوب والنفوس من أثر وجداني ، يتفاعل معها ويستجيب لنغمها الموسيقي المتتابع . ويحاول الشاعر بوساطة موسيقاه الداخلية أن يخلق توافقاً نفسياً بينه وبين العالم الصادر ، فالشاعر وما يمر به من تجارب وحالات نفسية يظهر أثرها جلياً في ثنايا شعره، إذ أن لكل نفس موسيقاها الداخلية ، ويستعين الحبوبي بتلك الموسيقى وما فيها من خصائص ومميزات ؛ لتضفي على النص جمالاً وقوة عن طريق التكرار والألوان البلاغية الأخرى وما فيها من وسائل للإيحاء والإيقاع الصوتي الذي ينتج الهزة النفسية.

التنزيلات

تنزيل البيانات ليس متاحًا بعد.

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التنزيلات

منشور

2021-12-24

كيفية الاقتباس

"البنية الإيقاعية في شعر محمد سعيد الحبوبي". 2021. مجلة اداب ذي قار 1 (36): 1-15. https://doi.org/10.32792/tqartj.v1i36.252.