The line direction factor in the watercolor text (the rhythm of exaggeration and directness)
DOI:
https://doi.org/10.32792/tqartj.v1i37.287Keywords:
The rhythm, line direction, watercolor text, exaggeration and directnessAbstract
The absolute supremacy of water in the texts of modern Iraqi poets called them to take updated rhythmic factors, through which they practiced the poetic text, and took from these factors as a means in writing the updated version of it; According to the theme of the theme bearing themes, and in a way that ensures its adoption as a readable text, it frames its history with a mechanical icon of awareness that the poet imposes on all aspects, as it is linked to the idea of the text and the nature of his era, especially when we are facing the temptation of rhythmic choices, with the poet’s suggestions and loud protests.
We also discussed in this research the factor of the line direction as it is a means of carrying the content and the rhythm of its singular approach, and its relationship to the visual element that the poet must have a special mechanism. We found that most of the poets who dealt with the text of water varied in the contents of the rhythm of their texts and took it as an important means of entering into the themes of water and framing it aesthetically.
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References
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References
Asrar al-Bayd al-Sha’ri, Ghalia Khoja, Publications of the Arab Writers Union, Syria - Damascus, 2009.
Form and Discourse, Muhammad Al-Makri, The Arab Cultural Center, Lebanon - Beirut, 1, 1991 AD.
Poetic Works, Abdel-Amir Jars, Structures for Publishing and Distribution, 1, 2020 AD.
The Semiotics of Place in the Poetry of Mahmoud Darwish, Dr. Hassan Ghanem Al-Janabi, Criticism Series, Iraq - Baghdad, 1, 2016 AD.
How to Win Warda, Abdel Azim Finjan, Al Jamal Publications, Lebanon - Beirut, 1, 2014 AD.
Interpretation Strategy (from textual to cross-textuality), Mohamed Bouazza, Publications of Difference, 2011.
The Dialectic of Invisibility and Transfiguration (A Structural Study in Poetry), Kamal Abu Deeb, Dar Al-Ilm for Millions, Lebanon - Beirut, 1, 1979.
Theory of Formalism (Texts of Russian Formalists), Roman Jokobson, TR: Ibrahim Al-Khatib, Arab Research Foundation and the Arab United Publishers Company, Lebanon - Beirut, 1, 1982 AD.
Visual Formation in Modern Arabic Poetry (1950-2004 AD) A research on the characteristics of oral performance “The Science of Poetry Tajweed”, Dr. Muhammad Al-Safrani, Literary Club in Riyadh, Kingdom of Saudi Arabia, 1, 2008.
The Override (Contemporary Critical Studies in Modern Iraqi Poetry), Muhammad Al-Jazaery, Publications of the Ministry of Information, Iraq, 1974 AD.
Poetic Works, Saadi Youssef, Al-Jamal Publications, Lebanon - Beirut, Volume 3, Edition 1, 2014.
In the poetry of the prose poem, Abdullah Sharik, Publications of the Union of Maghreb Writers, Morocco, 1, 2003 AD.
Poetry of the Absurd, Hassan Nazim, Dar Al-Tanweer for Printing and Publishing, Lebanon - Beirut, 1, 2019 AD.
The Transformations of Postmodern Critical Discourse, Ihab Hassan, see: Mr. Imam, Dar Shahryar, Iraq - Basra, 1, 2018 AD.
Poetic Works, Adnan Al-Sayegh, The Arab Institute for Studies and Publishing, Lebanon - Beirut, 1, 2004 AD.
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