السجون الثقافية للكهانة العربية بين قيود النمط وانفلات المتخيل

المؤلفون

  • ناجي عباس مطر جامعة ذي قار ـ كلية الآداب

DOI:

https://doi.org/10.32792/tqartj.v1i37.297

الكلمات المفتاحية:

القرابة الايتمولوجية ، كهنة ، ميشيل فوكو ، السجون الثقافية

الملخص

تبدأ الدلالات بالتشكل تبعا لوظيفيتها ثم يغمرها الثقافي ليؤدي بها إلى إنتاج معان مغايرة لأصل تكوينها، فالحاجة تجبر اللغة على إنتاج توازيات اصطلاحية سرعان ما تأخذها الثقافة لصالح فهم مفارق لأصلها اللغوي، فالكاهن بدأ حاجة فطرية ليكون ممثلا عن المقدس  ونائبا عنه، لكن الثقافة تلقفت الاصطلاح لتأخذ به بعيدا ليؤدي هوامش رمزية جديدة ما كانت لتكون لولا أن الفهم المعرفي والاجتماعي للإنسان اكتسب معطيات جديدة أصبحت أشبه بالسجون الثقافية التي أكسبت المعنى ظلالا زئبقية يمكن استيعابها بعد تجريد الاصطلاح من أصله اللغوي وفهمه على ضوء الحواشي التي التصقت به ثقافيا، فالسجون الثقافية لأية مفهوم تنبع من طريقة التلقي وخصوصية الفهم التي تخص استقراء مجموعة معينة لدلالات ذلك المفهوم، والثقافة العربية ثقافة شفوية تعاملت مع المفاهيم بخصوصية تنبع من سطوة المكان نفسه وحتمياته الوظيفية لذلك كان الدين لدى العربي متنقلا كما يتنقل هو في الأمكنة لذلك لا يمكن أن نفهم التوجه الديني لدى العربي إلا إذا فهمنا خصوصيته المكانية.

التنزيلات

تنزيل البيانات ليس متاحًا بعد.

المراجع

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منشور

2022-03-26

كيفية الاقتباس

"السجون الثقافية للكهانة العربية بين قيود النمط وانفلات المتخيل". 2022. مجلة اداب ذي قار 1 (37). https://doi.org/10.32792/tqartj.v1i37.297.

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